Thursday, April 5, 2018

Making a Movie

For the past few months I have been working with film maker extraordinaire Patrice Halley to create a mini doc about my work. This has been a far more intense process than I anticipated.


Allowing anyone in my studio while I'm working is unusual but to have a guy with a camera in your face and underfoot every which way I turned was especially daunting.


Monday, January 8, 2018

The Beauty of Winter in Québec

7am Morning Walk / 24" x 24"

The winter figures prominently in my psyche and work these days. Having been born close to the Winter Solstice makes December a time of change and reflection for me. The ever shortening days, the receding and then returning light, the cold and snow wrapping itself around everything in a silent embrace, these all influence my work.

A forest full of silence and snow
The landscape becomes a quiet palette of black, white and nuanced greys.

Sunday, December 17, 2017

Natural Translations

My annual Tremblant exhibition is now up and running at Les Mots Tremblant 

This charming and cozy venue is the perfect place
to host my paintings over the holidays. Visitors can have a glass of wine, a bowl of soup or a hot drink while relaxing and taking in the paintings. This is my absolute favorite way for people to view the artworks that have taken days, weeks and in some cases, months to produce.

Mont-Tremblant will always be close to my heart and I love to return to old friends and new with this annual exhibition.

Monday, October 23, 2017

A Summer Collage

is a word that comes to me often lately. I move through time and space seeking images for my work, even following them as they lead me from one adventure to another. 
Every single place, person and moment is offered up as material for translation into paint.

Life and Art fuse.



A bountiful summer of road trips and travel has filled my imagination with an abundance of fresh images to work from over the coming winter months. A new bike purchased in the Spring opened up new vistas to explore, both urban and country. 

 I visited a variety of cities from Montreal to Saskatoon, Lake Placid to Middlebury & Burlington, Vermont as well as a hefty dose of New York City. 

Tuesday, September 12, 2017

Watching the Patterns of the Land

I have been reading The Snowy Tower by Martin Shaw and am enthralled with his insights into how stories and images come to us from watching the patterns of the land:

"A slow emergence from the tree line - a mist of story. Not in the clipped tempo of the written sentence, but in a galloping, roaming, rampant language that tears into the soul like the vivid colors of a jungle bird...We no longer rove, ablaze and alive in the greenness of things...we're getting big on statistics, big on knowledge, but if ever we needed wisdom, now is the time."

Breaking Through / 30" x 40" 

"Mythic disinformation is a very sophisticated way of understanding the human psyche. It understands that we don't always respond to strict orders, and that the results of our choices are rarely black-and-white...To the literal mind, myth itself is a profound form of disinformation. There can be no truth in its images--a hedgehog standing on a rooster playing the bagpipes! Try to be serious! But the image distrusts the societal rush to the concrete picture and uses the brilliance of metaphor to disable (at least briefly) the triumph of logic. Logic is not the enemy but the dance partner."
Land Patterns / 30" x 40"
"Moving into a mythic perspective saves us from continually trying to address the situation from linear, statistical, clock time. Attention to the eternal as well as the historical would provide insights into stories and images that have a genius that statistics do not."
Land Patterns 2 / 30" x 40"
"May we all be wild horses under a blood moon, riding mad into its tangles."

Wednesday, August 23, 2017

Strength in Vulnerability

"Dance when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free."  ~Rumi

The other day I drew the Hanged Man card from the Tarot deck and it felt appropriate. Twenty months ago Loss was the price I had to pay for a great Love in my life and Walt was worth every tear. 

Recently my heart started to beat with love and life again. I could feel the blood start to flow anew as I recognized the first feelings of longing again. I didn't think it was possible. Slowly, tentatively I felt eros stirring inside, I couldn't believe it...and then just as I started to move towards the beckoning my heart was promptly shattered. 

Grief flows in mysterious patterns.

We Appear in this World for a Brief Moment / 40" x 60"

The Hanged Man represents an inward seeking.

The true quest is seeking within, not without. The fresh wound of loss was ripped open,

Thursday, June 22, 2017

Breathing the Forest

Breathing the Forest is up and ready to go! 

Opening Night is Friday, June 23, 2017 from 5 to 7pm

Exhibition continues until July 30, 2017
Lake Placid Centre for the Arts, 17 Algonquin Road, Lake Placid, NY

Breathing the Forest book available HERE

Tuesday, June 6, 2017

The Living Energy Behind the Form

When I paint I seem to enter an eternal present, a place where time and space drop away and I am fully alive and participating in the moment. It's as if I can feel all the molecules around me and in me vibrating together.  If I stop to notice this I break the spell, it's like trying to grasp onto a memory or a dream fragment that is just at the edge of your consciousness. The minute you look at it directly it dissipates. 

And so it is that I must enter the studio and leave my "thinking brain" behind...this is hard cause I like thinking, I am very attached to thinking. I am a curious cat and attracted to ideas and thoughts like a moth to a candle. However the practice of painting teaches me more about what I need to know in the present moment. My conscious mind may think I need to learn about a certain idea or concept but my painting brain absorbs and filters those ideas into non verbal expressions of a stronger, deeper vein. It is my unconscious mind that mines the depths for hidden jewels or as yet undiscovered truths. As I descend into this unknown place I experience a plethora of unexpected emotions; grief, sadness, anger, angst, loss and I allow myself to feel them all, fully. Staying with these feelings is often difficult and 
scary but always worthwhile as they weave their way into the paint and transmute themselves into universal stories of colour and texture.

I have been reading a remarkable book, The Scatterlings by Dr. Martin Shaw, a gifted writer, storyteller and teacher of the living myth. He speaks of the creative process like this:

"In the doing of the thing--the dance, the translation (the painting)--something unexpected happens that takes you far nearer to the spirit of the art than you could ever access in the cautious transcript. You may--just may--taste the awen, the living energy that stands behind the form."

"Wildness is a form of sophistication, because it carries within it true knowledge of our place in the world. It doesn’t exclude civilization but prowls through it, knowing when to attend to the needs of the committee and when to drink from the moonlit lake. It will wear a suit when it has to, but refuses to clip its talons or whiskers. Its sensing-nature is not afraid of emotion: the old stories are full of grief forests and triumphant returns, banquets and bridges of thorns. Myth tells us that the full gamut of feeling is to be experienced. Wildness is the capacity to go into joy, sorrow, and anger fully and stay there for as long as needed, regardless of what anyone else thinks. Sometimes, as Lorca says, it means “get down on all fours for twenty centuries and eat the grasses of the cemeteries. ” Wildness carries sobriety as well as exuberance, and has allowed loss to mark its face."

~Dr. Martin Shaw